Space Punks will support both solo and cooperative play, have a story-driven campaign, an endgame with a diverse array of modes, and character development across abilities and gear. It’s a great last record.This is Flying Wild Hog’s first go at making a live service game, and the Polish studio has large ambitions. “I feel like there’s no other band in our genre that can just so easily pull this off,” Whibley says. What he wound up creating was Heaven :x: Hell, a double album slated for early 2024 that should serve as the perfect capstone to the band’s two distinct eras: one side entirely All Killer–style pop-punk jams, the other full of the scorching metal headbangers they’ve favored lately. I felt the pressure and the need to create something.” “I felt the way I did when I first got signed. And then I wrote another one, and then another one, and then I had another riff, and it was like, holy shit.” Letting go of his songs-much in the way he’s letting go of the band entirely now-unlocked a vital hunger inside of Whibley. And I felt so excited and I picked up a guitar just naturally. What does that feel like? I woke up scared shitless. He decided to conduct a thought experiment: “I told myself, Okay, I’m going to wake up tomorrow and act like I’ve sold it. Then he started to question what he was so afraid of losing. “My songs are my babies, and I didn’t need the money.” For a long time, despite several approaches, “I was so against selling it,” he says. It’s partly the same reason that, last August, Whibley decided to sell the rights to Sum 41’s entire publishing-and-recorded-music catalog to an investment fund called Harbourview Equity Partners for an undisclosed sum. Deryck Whibley of Sum 41 talked with GQ in a wide ranging interview:
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